Random Texts and Presentations:

Phillips, M. Didakis, S. Objects of Affect: The Domestication of Ubiquity. DI-EGY 1.0 Festival Cairo, Egypt. 31/03/13

Phillips, M. I’m melting, melting… Evaporation of Things, Exhibition and Symposium. SRC Genomics Policy & Research Forum, the Centre for Design Informatics, University of Edinburgh and New Media Scotland. Edinburgh. 13-14/03/13 The TAT ORT General Public License. Version 1.5, 3 March2013

Phillips, M., Corino, G. The End of Things. Mutamorphosis, Prague, 6-8/12/12 Phillips, M. One but not the same… at the I Am Seeing Things: Exhibition and Symposium. Talbot Rice Gallery, The University of Edinburgh, Edinburgh. 25-26/10/12

Phillips, M., Speed. (2012) Ubiquity: A paranoid manifesto. Ubiquity. The Journal of Pervasive Media, 1:1. 3-6.

Phillips, M., Scott, J., Speed, C., Thomas, P. Panel: Imaging Ecologies. ISEA2012 Albuquerque: Machine Wilderness. New Mexico. 21/10/2012. http://www.i-dat.org/imaging-ecologies-panel-isea2012/

Phillips, M. (2012): There is no dome?, Digital Creativity, 23:1, 48-57

Lambert, N., Phillips, M. Guest Editors, FullDome Special Edition (2012): Digital Creativity, 23:1.

Aga, B., Phillips, M. et al. (2011) Human Geography v1.0. Liquid Press (i-DAT). ISBN 978-1-84102-298-7

Phillips, M. (2012): So Mote it be… Technoetic Arts: A Journal of Speculative Research. 9:2&3, 97-103.

Phillips, M. Human Geography. (2011). in: Ascott, R., Girao, M., ed. Presence in the Mindfield: Art, Identity and the Technology of Transformation. Lisbon, Portugal: Artshare-Universidade de Aveiro, pp. 226-230. ISBN 978-972-789-356-0

Phillips, M., Aga, B., Corino, G., Lock, S. Mass Body Index: Bio-OS, a Biological Operating System. ISEA2011 (http://isea2011.sabanciuniv.edu/). Istanbul, Turkey. 20/09/2011

Phillips, M. Ceteris Paribus: 2 + 2 = 5 – Bio-OS/Op-Sy Poster Exhibition. Transcultural Tendencies | Transmedial Transactions. International Research Conference on Art, Technology and Consciousness. Shanghai Institute of Visual Art [Fudan University], Shanghai. 25-30/07/2011

Phillips, M. Bio-OS/Op-Sy Poster Exhibition. Ionian Art Centre (http://www.ionionartscenter.gr/), Metaxata, Kefalonia, Greece. 7-17/04/2011.

Phillips, M. The Case of the Absent Artist. A Body of Evidence. Marcel.Li Antúnez Roca. E La Performatitivà Digitale. Atti della giornata di studi. Editors Mazali, T., Mazzocchi, F., Pizzo, A. Gruppo Edtotoriale s.r.l. Acoreale – Rome. 2011.

Phillips, M. ‘Far Away, So Close!’ Skilled Art/Engenho & Arte. Guiramraes, Portugal. 23-24/04/10

Phillips, M. ‘A Mote it is…’ Symposium: Strange Futures: Collaborations that make nano-art. John Curtin Gallery, Curtin University of Technology, Perth, WA. 07/02/10. Catalogue…

Phillips, M. Speed, S. (2010) La reificazione dei dati. REM, Ricerche su Educazione e Media. 2:2. 245-258 Phillips, M., Weaver, R., Carss. P. Human Trace, ISEA2009, the 15th International Symposium on Electronic Art (2009). Belfast. 09/09.

LE CORPS JOUABLE, MARC FOURNEL, VIDÉOS ET INSTALLATIONS. The Playable Body, Marc Fournel, videos and installations at OBORO on March 26, 2010 from 5 to 7 pm, 2001 rue Berri, Montréal. Available after book launch through the website of RCAAQ: http://rcaaq.org/librairie/

Phillips, M. ‘Evolutionary Operating Systems’. Más allá ae Darwin. Sale Parpallo, Valencia, 24-25/04/09.

B Aga, Katina Hazelden and Mike Phillips. “The Play Algorithm – A(n):= [r = 1,2,…..N]”. HOMO LUDENS LUDENS 2008, LABoral Centro de Arte y Creación Industrial. Gijón, Asturias, Spain. 19-20/04/08.

Phillips, M. Speed, C. Arch-OS v1.1 (Architecture Operating Systems), Software for Buildings. Engineering Nature, Art & Consciousness in the Post-Biological Era. Ed Ascot, R. Intellect. ISBN 1-84150-128-X. p 177-182. (2006). (2003 version).

Phillips, M. All that is solid… melts. The liquefaction of form. Altered States: transformations of perception, place, and performance. University of Plymouth. 22-24/07/05. Proceedings published: Liquid Reader 3, Altered States. Ed: Phillips, M ISBN 1-84102-147-4. 22/07/05.

Research TV webcast on Arch-OS. Broadcast Date: 22 February 2005. Interactive Intelligent Technology http://www.research-tv.com/stories/technology/smart/bb/

Anders, P., Phillips, M. 2004. Arch-OS: An operating system for buildings. In proceedings of the 2004 AIA/ACADIA Fabrication Conference, Cambridge and Toronto, Ontario, Canada. Nov. 8-13, 2004. pp. 282-293

Phillips M, Speed C, Montandon A, with Dent E. ‘read/write/fold’. Performance Research Vol.9, No.2 ‘On the Page’ (2004) issn 1352-8165 isbn 0-415-34737-6.

Phillips, M. Soft Buildings. Technoetic Arts, A Journal of Speculative Arts. Vol 2, Number 2 – 2004. Intellect Ltd. ISSN 1477-965X. pp 99-108.

Phillips, M. Softbuildings: ‘Pyschometric Architecture’, Buildings That Go Bump in the Night’. Festival Ciber@RT Bilbao 2004, Challenges for a Ubiquitous Identity, Bilbao [http://www.ciberart-bilbao.net/]. Planetary Collegium. 29/04/04

Phillips, M. ‘Auto-Creativity V1.5: A slash and burn transmedia compression codec for artists and designers’. Teaching in a Digital Domain. Innovation, A National Symposium – Part 3 in collaboration with Forum for Electronic Arts Research (FEAR) Australian Council of Universities of Art and Design Schools (ACUADS) in collaboration with the Australian National Coalition of Creative Arts (ANCCA). Technology Park, CSIRO Theatre. Curtin University of Technology, Perth, Australia. Part of the BEAP [2002 Biennale of Electronic Arts Perth]. (11/07/02).

Phillips, M. (S.T.I. Consortium).The Search for Terrestrial Intelligence. 4th International. CAiiA-STAR Research Conference. Consciousness Reframed 2003. Curtin University of Technology, Perth, Australia. ISBN 1-74067-272-0 Part of the BEAP [2002 Biennale of Electronic Arts Perth] (02/07/02).

Phillips, M. ‘Psychometric Architecture’. V01D. Eds, Speed, C. Grinsted, G. Produced by The Institute of Digital Art and Technology, Plymouth Arts Centre, limbomedia and Digital Skin. ISBN 1 84102 087 7 (07/07/01). 

Phillips. M, Ride. P, Lavelle. M, Turley. S. The Spectactor Project: A Multi-user narrative in “Mediaspace”: ‘ palmeres for to seken straunge strondes’. Consciousness Reframed III. 2000